This video is a RARE and AWESOME find for me! I bumped across this on the Internet one day and was absolutely floored to find that it is a video by a missionary in my first area within a year of the time I was there (this video was taken in 1999). Plus this guy’s companion was my third companion, Elder Horrocks. His apartment was my apartment. If you want a taste of mission life in a city area of South Africa, this here is the source! And I know most of these people! Even the Keyden kids. They were the funnest bunch of kids. Don’t you love their accents?
Africa: A Capella
This is awesome. Perpetuum Jazzile has demonstrated a way to imitate rain – A Capella.
The Divine Call of a Missionary
Ever wonder how mission calls take place? What is the process by which the brethren seek revelation for each missionary being sent? Brother Ronald A. Rasband shared this process in Priesthood Conference in April.
Excerpt:
With the encouragement and permission of President Henry B. Eyring, I would like to relate to you an experience, very special to me, which I had with him several years ago when he was a member of the Quorum of the Twelve. Each Apostle holds the keys of the kingdom and exercises them at the direction and assignment of the President of the Church. Elder Eyring was assigning missionaries to their fields of labor, and as part of my training, I was invited to observe.
I joined Elder Eyring early one morning in a room where several large computer screens had been prepared for the session. There was also a staff member from the Missionary Department who had been assigned to assist us that day.
First, we knelt together in prayer. I remember Elder Eyring using very sincere words, asking the Lord to bless him to know “perfectly” where the missionaries should be assigned. The word “perfectly” said much about the faith that Elder Eyring exhibited that day.
As the process began, a picture of the missionary to be assigned would come up on one of the computer screens. As each picture appeared, to me it was as if the missionary were in the room with us. Elder Eyring would then greet the missionary with his kind and endearing voice: “Good morning, Elder Reier or Sister Yang. How are you today?”
He told me that in his own mind he liked to think of where the missionaries would conclude their mission. This would aid him to know where they were to be assigned. Elder Eyring would then study the comments from the bishops and stake presidents, medical notes, and other issues relating to each missionary.
He then referred to another screen which displayed areas and missions across the world. Finally, as he was prompted by the Spirit, he would assign the missionary to his or her field of labor.
From others of the Twelve, I have learned that this general method is typical each week as Apostles of the Lord assign scores of missionaries to serve throughout the world.
Having served as a missionary in my own country in the Eastern States Mission a number of years ago, I was deeply moved by this experience. Also, having served as a mission president, I was grateful for a further witness in my heart that the missionaries I had received in New York City were sent to me by revelation.
After assigning a few missionaries, Elder Eyring turned to me as he pondered one particular missionary and said, “So, Brother Rasband, where do you think this missionary should go?” I was startled! I quietly suggested to Elder Eyring that I did not know and that I did not know I could know! He looked at me directly and simply said, “Brother Rasband, pay closer attention and you too can know!” With that, I pulled my chair a little closer to Elder Eyring and the computer screen, and I did pay much closer attention!
A couple of other times as the process moved along, Elder Eyring would turn to me and say, “Well, Brother Rasband, where do you feel this missionary should go?” I would name a particular mission, and Elder Eyring would look at me thoughtfully and say, “No, that’s not it!” He would then continue to assign the missionaries where he had felt prompted.
As we were nearing the completion of that assignment meeting, a picture of a certain missionary appeared on the screen. I had the strongest prompting, the strongest of the morning, that the missionary we had before us was to be assigned to Japan. I did not know that Elder Eyring was going to ask me on this one, but amazingly he did. I rather tentatively and humbly said to him, “Japan?” Elder Eyring responded immediately, “Yes, let’s go there.” And up on the computer screen the missions of Japan appeared. I instantly knew that the missionary was to go to the Japan Sapporo Mission.
Elder Eyring did not ask me the exact name of the mission, but he did assign that missionary to the Japan Sapporo Mission.
Privately in my heart I was deeply touched and sincerely grateful to the Lord for allowing me to experience the prompting to know where that missionary should go.
At the end of the meeting Elder Eyring bore his witness to me of the love of the Savior, which He has for each missionary assigned to go out into the world and preach the restored gospel. He said that it is by the great love of the Savior that His servants know where these wonderful young men and women, senior missionaries, and senior couple missionaries are to serve. I had a further witness that morning that every missionary called in this Church, and assigned or reassigned to a particular mission, is called by revelation from the Lord God Almighty through one of these, His servants.
Head, Shoulders, Knees, and Toes
Our house in Botswana was surrounded by houses with families of small children who would often come visit and play in our yard. One day a bunch of these kids were in the yard (probably nine or ten – we seemed to attract kids whenever we were home), and they were getting a little bit rambunctious. I was beginning to worry that someone might either get hurt or break something, so I ran and grabbed a pen and paper, then came outside and said, “Hey! Do you guys want to learn a new song?”
Of course they all responded enthusiastically.
“Ok, but you’re going to have to help me learn the words so we can sing it in Setswana, too!” Then I got out my paper and pen and asked, “How do you say ‘Head’ in Setswana?”
“Tlhogo!” they all shouted.
“And how do you say, ‘shoulders’?”
“Magetla!”
“Knees?”
“Lengole!”
“What about ‘toes’?”
“Menwana!”
In English, none of the words to the song, “Head, Shoulders, Knees and Toes” are more than two syllables. In Setswana, none of them were less than two syllables. In fact, Setswana doubled the total number of syllables in the whole song. Man, I thought to myself, how on earth am I going to make these fit the rhythm?
Then we went through the remaining words – eyes, ears, mouth, and nose. I decided before trying it in Setswana, I’d teach them the English version of “Head, shoulders, Knees and Toes.” They got a big kick out of the song.
Then the real show began.
“Now let’s sing it in Setswana!” I said.
Getting out my piece of paper, we began to sing:
“Tlhogo, magetla, lengole, menwana, lengole, menwana, lengole menwana! Tlogo, magetla, lengole, menwana, Matla, Tsebe, Molomo, Nko!”
Before we could get through the song for the first time, we were rolling all over the porch with laughter. They thought it was the funniest thing in the world to hear a Magua singing in Setswana, and I thought it was the funniest thing to sing such a simple song with so many syllables. After singing it a number of times over, I had it memorized, and sang it many times thereafter to the kids, and they laughed hysterically every time.
I later discovered that the words they gave me were all singular form – shoulder, knee, toe. But making them plural would add more syllables, so I kept it as it was.
Keeping Up With The Jones’s
I found an awesome blog by a family with a missionary who is presently in the Johannesburg mission. Their blog is called, Keeping Up With the Jones’s, which is an awesome name, since their last name is Jones. They post on the blog their letters back and forth, and a lot of the questions are about South Africa, mission life, and basically everything the Called to Serve in Africa blog is about. Here’s a taste of some of his pictures – South Africa today! Anyway, I highly recommend you check out their blog.
A guy selling clown stuff.
A kid blowing in the Vuvuzela (not spelled right)
Township kids with homemade toy.
Contacting
Lions n Tigers n Birds OH MY!
An African Game preserve. The Soccer 2010 water tower. MTC companions that he flew with to Africa. The first young man he taught and baptized, well watched be baptized. Standing out and inside the Temple grounds of Johannesburg South Africa. He loves every minuet of it to.
So go check it out!
The Click Song (Qonqothwane)
Miriam Makeba is something of a legend in South Africa – or was, while she was alive, and she lived to be quite old. There are a number of recordings of her music on Youtube, but I had to share this classic song that is quite popular, as well as traditional, in South Africa. In the recording linked to below, I think she is speaking French. Actually, she’s flipping between French and Xhosa, but based on her other performances of this song, I’m guessing that she’s saying something like this, “One of the things people find so fascinating about our language is the clicks, and wherever I go, people ask me to speak in the ‘click’ language, so I say stuff like, (speaks a few Xhosa sentences). In fact, there is a song that we like to sing when a young girl gets married that the white people call, ‘the Click Song” because they don’t know how to say, Qonqothwane.”
Then she sings it.
This is a fun song. I even learned to sing it while I was there, and I still remember it, but I promise my clicks aren’t nearly as impressive as hers.
http://www.youtube.com/watch?v=DtnyNeHAGx0
I tried to embed it, but its disabled for this song. Oh, well. Still go to the link. It’s worth seeing!
In another version of this song, there’s a little space between verses where she says, “helele, helele,” (hay-lay-lay). I didn’t draw the connection until later, but when a girl gets married, it’s traditional for the mother of the bride to shout out “lelelelelelelele!” Picture a native American warcry, falsetto high pitched, and that’s about what it sounds like. The shout “Haya!” in between the verses and chorus are a similar tradition, but it’s shouted by everyone.
Ladysmith Black Mambazo
Here’s a video of my favorite South African music group, Ladysmith Black Mambazo. They are singing in Zulu, and the clicks you hear are part of the language. I love the other sounds they make with their mouths in their music.
I think my favorite part of Zulu is the clicks. In Zulu, they not only have clicks in their language, but that there are three different kinds of clicks, represented by three different letters of the alphabet – C, Q, and X. Those were the click letters. As people spoke, they could clearly tell which click was being used. It was fascinating.
The most common click is the Q, which is (I think) the sound you hear most in their music – basically it’s the sound of your tongue popping. The X click is the sound you make when you click the back of your tongue to call a horse or dog. The C click is the “tisk, tisk” sound you make with the front of your tongue when you’re telling a child they’re in trouble. That’s the best way I know of to describe the different clicks.
The kissy sound they make in the second video – well, that’s just a kiss! Gotta love that song!
By the way, listen carefully to the third one. See if you recognize it. Let’s just say it’s the original song of the Americanized version you’ve probably heard before. 10 Sharpzinto points for the first to identify what Americanized song I’m talking about!
The Gumboot Dance
This was a really popular dance among native Africans. I was determined that when I got home I’d find a way to learn it… now ten years later I’ve still never learned it. But here’s a video of a dance group that does it well! The interesting thing about this dance is the story of how it came to be, which they tell in the video.
































